OK. I just love that you are experimenting with screen withdrawal. The dtox is hard-core. Re the guilt of making screen-free sound rosy-easy. Dude. I saw no rosiness except in you all doing stuff together and enjoying it. Your story was full of agony and angst and brain-rash screen-eye pain. That’s the beauty of the story—pain, loss, a journey, unexpected adventures, failure, and winding up in a whole new place. Campbell would be so proud. Heck. Edith Hamilton, the queen of the hero’s summarized epic might have a steamy personal moment with your essay. For my time and money, you always make sense. You’re something of THAT aunt who has no filter, especially when it is most inconvenient: the very reason she is the MOST beloved, the MOST invited, the MOST hugged, and ALWAYS missed when not around. Metaphors and escape rooms which are metaphors. Deep. Not deep poo. Your play-by-play-scab-by-scap wounds on the playground are why I read you. If writers were as them as you are you, screens wouldn’t have a chance in hell. Everyone would be tripping over curbs with their noses in books. A beautiful, bloody, mess. But keep the guilt alive, Alex. I think (and who am I but some glob who doesn’t really know you except for your writing) it’s your shadow-box demon where you find light and insight. It’s not that your suffering brings me joy or amuses me. It’s that you, chronicling your way through the swamps, show us swamps can be navigated, and finding solid ground for a few steps, seeing that we’re covered with damp weeds (and OMFG leeches?) is something we can laugh at, alone, or in a crowd. Be you. That’s such an amazing and rich choice.